I found the connection between the National Summit on Education and the art at Utah’s museum of Art seasonable.
While at Utah’s Museum of Art, I came across a huge electrical wall panel created by Elias Sime from Ethiopia.
The plaque next to the ‘ Tightrope: Noiseless 1’ (it’s title) reads: Sime buys his materials at the Merkato In Addis Ababa, Ethiopia, the largest open- air market in Africa. It can take years for him to accumulate the necessary discarded computer parts to construct an individual work. In this series, Sime recognizes the uneasy balance between the advances made possible by technology and the impact those advances have had on humanity and the environment. Sime says, ” My work reclaims these machines in a tender way, as I am not in opposition to technology. It’s about how to balance it with “real” life. We’ve become off-balance. My title for my series of collages, “Tightrope,” has a double reaming, It’s about this equilibrium, but I also wanted it to evoke a string: if you pull it too tight, it will break.”
The installation connected strongly with the keynote speakers at the conference. While looking at it, I had no questions, nor did it bring me peace. It was just about being in the moment while also thinking about the future.
Earlier that day, I sat in the Grand America Hotel and listened to Code.org founder Hadi Partovi, finance expert Tim Ranzetta and Professor of Applied Mathematics Dr. Steven Strogatz, map out critical skills for every 21st-Century student’s success.
Dr. Strogatz encouraged us to introduce our learners to Data Science which he said was the “modern version of statics, a fusion of many disciplines that give us opportunities touch every field.” Mr. Partovi pushed for us to teach finical literacy, especially to students in high school. As a true educator, he provided curriculum and even offered ways to teach others how to teach the topic. Tim Ranzetta also pushed technology – telling us that the vision of Code.org is that every student learn computer science.
I am standing in front of Simone Leigh’s Large Jug in the Metropolitan Museum of Art.
It is included in an exhibition entitled, “Hear Me Now: The Black Potters of Old Edgefield, South Carolina”.
This exhibition opens up a different jug of worms. While most slave narratives of 19th Century speak about the Atlantic Slave trade and the presence of Africans in the cotton fields, viewing Hear Me Now makes the viewer think, well, what else did Africans / African Americans contribute too? What other narratives are they apart of that we know very little to nothing about? It remind us that the slave was not confined or small at all, instead, he had a large presence and was in every walk of life.
While the entire story is told from many view points, the one artist that walks away with you is Dave. Mr. Dave Drake. He found a way to live on forever through his pottery by using the very thing that could have gotten him killed, visual literacy.
Above to the left is the jug that I couldn’t stop circling around. It reads:
nineteen days before Christmas- Eve- Lots of people after its over, how they will greave,
I wonder…. how in the world did he get away with a quote like that? He seemed to share the same status as Fredrick Douglass; yet, he was enslaved!
Douglass escape slavery in 1881. Drake’s pottery was issued in 1858. This means that way before Frederick Douglass wrote his speech, ‘What, to the slave, is the fourth of July‘? Drake was already addressing the same topic throughout his pottery.
Lesson plan idea: Visit exhibit with students and allow them to write ‘what if’ stories for Dave. Allow them to create stories to fill in some of the missing pieces of Dave’s story that we do not know…
God bless their hearts. They come into the third grade innocent. Taking everything at face value.
I never answer that question, because I never thought I liked Charlie Brown. I just think it’s a good tool to use to teach third graders about race in America.
Before school starts, I use my Amazon points to purchase classroom items such as posters, stickers, door décor, awards, window stickers and a new grade book -all decorated with Peanuts characters.
There is a huge welcome poster that hangs above the cozy classroom library. It’s the first poster the children see when they walk in. It says welcome in huge red letters, and features every Charlie Brown character-except Franklin.
There is a poster at the front of the room that states “In a good conversation, one person talks while the other listens,” and there you see Charlie Brown in a good conversation…
There is a Snoopy poster. It has a yellow backdrop and it reminds the children how to be a perfect friend. Lucy has a poster. Linus has a poster. There are posters with the whole gang- except Franklin. As a matter of fact, I can count on one hand how many posters Franklin is in…
So I ask the children to create a poster for Franklin.
As the year goes by the children mature. The calendar at the front of the room finally has a picture of Franklin…
Around this time they are introduced to my Charlie Brown library.
I built the library by searching on eBay and Etsy for Charlie Brown memorabilia. I came across a set of old Charlie Brown books. They are so old the children have to ask special permission to read them and they MUST handle the books with care.
The ones who love to read try to keep them. Before they leave for the summer, I have to search their desks to make sure each one is returned.
During the year, I watch them silently read. It warms my heart to see them understand the humor from the Peanuts characters. Once they start to laugh and enjoy the content, I begin to ask them questions about the images and where they see themselves.
I then pull out the Charlie Brown dictionary- which always amazes them. (It amazed me too!) I add it to our classroom set of dictionaries. As time passes and they learn to define words and use them, I allow them to search the Charlie Brown dictionary.
As the year continues, the class grows older. The students are not new to third grade. They are fully third graders now.
Then one day, someone asks a question about identity – this always happens…someone is always curious about his or her self– and the class begins to argue and no one can come to a consensus. They turn to me and I turn to the dictionaries that they learned to trust and ask them if they ever looked up the words black or white. What do they think it means in a dictionary such as this one? I pull down the Charlie Brown dictionary.
The classroom is usually silent. Everyone thinking.
Then I flip the pages to white.
And read: White is the color of snow. Ducks have white feathers. The sheets on my bed are white. Marshmallows are white.
Next I turn the pages to black and read,
Franklin is Charlie Brown’s little black friend. He is talking to Charlie Brown on the telephone. Black is a color. Black is also another word for Negro, a person with dark skin. The words in this book are black.
The next thing that usually happens is a series of questions. Questions about what is in books and what images we accept without questions.
One year, the conversation happened after a trip to the New York Historical Society. The children were stunned to see a white educator – rather than a black one- teaching them about slavery in New York. They stood, uncertain, and couldn’t answer her questions. When we returned to the classroom, they expressed their discomfort with having a white educator telling them about their history.
Why did you feel uncomfortable? I asked.
Because, what was her ancestors doing when my ancestors were slaves? one little boy said quietly.
What do you think they were doing and why didn’t you ask her that?
A bossy girl at the front of the room replied, Because, that’s rude Ms. Hurley!
Why is that rude? Weren’t you uncomfortable? Was it okay for her to make you feel uncomfortable in your own skin? I’m not telling you to be rude. I am telling you to think. Think about your history and your stories and who is telling them and who will tell them if you don’t learn who you are.
Another year the conversation happened after singing the Black National Anthem. That was two years ago, when Trevor Noah and Roy Wood Jr. celebrated Franklin’s 50th year on the Daily Show. That was the same year the children learned the word stereotype.
Last year COVID happened right when the children started having the conversations. I thought, How can I introduce ‘race in America’ without the setting of the classroom? America quickly answered that question for me. Instead of discussing Franklin and Charlie Brown we cried about Floyd and Michael Brown, Jr.